The set design simplifies furniture and props to emphasize the theme of balance. In this adaptation, Dr. Stockman symbolizes the voice of the weak, while Peter embodies the strong voice. Other characters, representing egoists, oscillate between these two sides throughout the play. The stage itself becomes a dynamic element, tilting in response to the shifting allegiances of the characters. As the narrative unfolds, when the crowd gravitates towards Peter, Dr. Stockman finds himself at the highest point of the stage. This positioning reflects his strong moral stance, despite appearing physically weaker. Conversely, as more characters align with Peter, the stage tilts towards Dr. Stockman, lowering his physical position in contrast to Peter's. This staging choice dramatically illustrates the pressure exerted by the majority on Dr. Stockman, as they assert their righteousness from a position of strength.

Script Analysis

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Physical Costume Model

Set Design

Costume Design

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There is no absolute right or wrong in this world. People have different choices when they stand in different situations. Balance (Using a pointer instead of tilt ground) and the designed pieces of furniture, which are defined as 2.5-dimensional furniture by us, represent our theme - Something In Between. Right and wrong, good and bad are two states, or two aspects, of one thing. They are in a relative balance In a world where moral absolutes are elusive, the choices people make are often dictated by the nuances of their individual circumstances. "Something In Between" captures this complexity through its ingenious use of balance—achieved not through a tilting stage, but via a pointer—and what the creative team terms "2.5-dimensional furniture." These design elements serve as a tangible manifestation of the production's underlying theme: the ambiguity that often exists between dichotomies like right and wrong, or good and bad. Rather than fixed points on a moral compass, these concepts are presented as relative states in a fluid equilibrium. They co-exist as two facets of the same reality, perpetually in balance yet never fully one or the other. By opting for a pointer to illustrate balance, the production invites the audience to consider the weight of each character's choices and actions, subtly indicating where they might land on the spectrum between two contrasting states. Meanwhile, the 2.5-dimensional furniture adds another layer of depth, serving as a metaphor for the multi-faceted nature of human morality—never entirely flat, yet not fully realized in its complexity. Together, these elements offer a compelling visual and thematic landscape, encouraging the audience to engage in a more nuanced exploration of the often-blurred lines that separate right from wrong, good from bad, and every gradient in between.

The selected play, 'The Enemy of People', is presented with an innovative concept where the coastal town is depicted as a balance. The production leaves the audience in a state of ambiguity regarding Dr. Stockman's moral and physical position. The stage, defying conventional laws of physics at times, mirrors the play's central dilemma: the uncertainty of right and wrong, a question ultimately left for the audience to ponder.

Research

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In collaboration with Luoyi Xu, Shenxiao Qi

In this theatrical costume design, each color is imbued with a rich tapestry of symbolic meaning, serving not just as aesthetic choices but as profound narrative elements. - White symbolizes Honesty, capturing the purity and unblemished character of those who wear it. It serves as a visual cue for straightforwardness and integrity, representing individuals whose actions are guided by a transparent moral compass. - Black signifies Authority, channeling the gravitas and influence inherent in figures of power. When a character dons black, it signals a role of leadership or command, often accompanied by the weight of responsibility. - Grey illustrates the complex nature of Hypocrisy—oscillating between the stark contrasts of black and white. It symbolizes characters caught in a moral or ethical flux, whose actions and motives are not easily classified as purely good or bad. - Red embodies Bravery and Sacrifice, representing characters propelled by audacity and selflessness. This vibrant hue signals moments of courage, passion, and often, the willingness to put oneself in harm's way for a greater cause. - Pink serves as an intermediary between Red and White, encapsulating the nuances found between bravery and honesty. It portrays a balanced character, someone who is both courageous yet grounded, a figure embodying the softer aspects of valor and integrity. Each color serves as a multi-dimensional lens through which the audience can better understand the complexities of the characters, enhancing the overall narrative and adding layers of interpretive depth.

An Enemy of the People

Architectural Association, London, UK, 2023

Virtual Costume Model